La Sonnambula Dessay Florez - Amazon S3.

The music and individual performances are exceptional. Natalie Dessay soars like an ethereal angel in all of her set pieces And the duets with Florez are particular moving and intimate. Music like this needs no costume or background. Its sheer beauty stands alone. Juan Diego Florez looks the every inch swaggering N Y Latino in his leather.

Dessay establishes her star quality from her very first entry and vivaciously dominates Donizetti's delightful opera throughout.In short she is an unforgettably enchanting Marie, unlikely to be surpassed.(Florez) also sings and acts superbly.

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Juan Diego Florez exudes star quality and hits those 9 high Cs effortlessly(not an easy thing to do at all because the hardest thing about that aria is the consistency in pitch and volume on all those high notes), while when you know Natalie Dessay is going to be on stage you know it is going to be spectacular AND fun, and with a wondrous.

Fille du regiment dessay florez band you are both confused, talking about it may be all you need to break the mental barrier. Sometimes putting the essay aside for the day and returning to cessay fresh in the morning is a good way to cure confusion.

Dessay makes her first entrance wearing a white coat, red scarf and gloves, chatting on her cell phone, every inch the diva. She multitasks during her first aria, having her costume altered, picking out shoes, a nice green pair, and rejecting wigs. All this stuff distracts from the sweet beauty of the music.

Florez looks much happier in the latter photos compared to the first one that must have caught him at a bad moment. And yes, he has become a really superb comedian. I wonder if anybody who saw this production also saw him do it with Damrau and could compare the two performances. In short, Dessay compared to Damrau.

Natalie Dessay, rather self-deprecatingly, refers to herself as a singing actress. That undervalues her wonderful voice that, in its own way, is every bit as exciting as Florez's but it does illustrate the importance that she gives to performing her roles.

The basic plot of Bellini’s tale of an innocent Swiss girl whose sleepwalking lands her in the middle of a scandal may be difficult to believe. But spectacular singers like Joan Sutherland and Nicolai Gedda sweep away plot concerns with their stylish, impassioned portrayals.

Tenor Juan Diego Florez in the role of Elvino, right, on bed, sings with soprano Natalie Dessay as Amina during the final dress rehearsal of Vincenzo Bellini’s La Sonnambula, Friday, Feb. 27. 2009 at the Metropolitan Opera in New York.

Dessay and Florez have erased Joan Sutherland and Luciano Pavarotti from Fille memory. Natalie’s pixie features wink out at you from Manhattan bus-stops. She, more than any current soprano, can give an opera a different twist. So why drop the top notes? Every singer I have ever known works like crazy to get as high as they can and, once there.

While not nearly as endearing a stage presence as Dessay, Juan Diego Florez was an impressive Tonio, the young Tyrollean who joins the regiment to be near his beloved - only to nearly lose her until love triumphs and the two are reunited.